On a production line, which is also the entire world, a woman and a goat meet and fall in love, despite the blood. Despite the knives.

In the distant past, and the far future, choruses of pirates and goats convene to discuss important questions about their societies: Is this the best economy we could invent? Who invented it? Who must die to keep the economy running, and how can we make those deaths as invisible and exciting as possible?

Workshop Production, Goethe-Institut, Beijing (2023)

translated by Chen Si-an
directed by Liu Ye-Xuan

Workshop Production, Theatertreffen Stückemarkt, Berlin (2022)

directed by Marie Schleef

Semi-Finalist, Bay Area Playwrights’ Festival (2021)
Semi-Finalist, Playwrights Realm Writing Fellowship (2020)

 full play!


︎Party in A Spreadsheet v2
New Georges, September 2021
The New School of Drama, June 2021

︎Party in A Spreadsheet
Corkscrew Festival 4.0, August 2020